5/1/2023 0 Comments Mac airtool wireless capture![]() When you open Capture One and take a shot, the image will pop up in your capture folder the same as if you were hard wired. I was worried that I was going to have to set up hot folders and different routing for the files. But none of that was necessary. ![]() ![]() So, when you go to the WiFi connection on your tether station, you just have to set it to the Air Direct. This forms a one-to-one connection between the camera and the computer. We’ll start with the last question. As it turns out, it is actually very easy to connect the Air Direct system. All you have to do is download the free Air Direct Utility (ADU) software and install it. You then fire up the Air Direct itself and connect it to your camera with one of the half dozen generously provided cables that match your camera. The device essentially creates its own private WiFi network. So, how easy would the product be to use in practice? I can understand the concept of "plug one end of a cord into my camera and plug the other end into a computer." But, when it comes to setting up network connections and the like, my eyes tend to glaze over. Third, I wanted to see how easy it was to connect the system. I am no technical genius. It’s not the end of the world as long as the images make it there, but it can interrupt your pace a bit. Not only do the images have to make it to the computer, but they need to do so relatively quickly. If you shoot tethered, you’ve probably experienced a session where you fire multiple shots in a row at a rapid pace, then look back at the monitor to review them and realize the client is still seeing images pop up from a couple minutes earlier. Often, this is accompanied by a request to adjust one thing or another that, in actuality, you already fixed six shots ago, but that image hasn’t made it to the screen yet. But could the same be said for a wireless signal? It’s a once in a blue moon occurrence so rare that it’s not worth losing sleep over. There’s nothing more annoying than looking through a viewfinder, seeing your masterpiece, pressing down on the shutter at exactly the right time, and then walking over to the computer only to realize that the image never made it to the computer. Shots very rarely ever get lost in the tether cable. And two, because I doubted that they would be able to run fast enough to keep up with me. But, when Tether Tools, a brand whose products I’ve depended on in the past, came out with an offering, I thought I would try it.įirst off, we should establish exactly what I was looking for. Your images are your most valued asset. Your client’s reaction when those images start popping up at the digitech’s workstation is what will determine whether or not you book a return engagement. So, first off, your tether connection needs to be absolutely secure. ![]() One, because I’m an innately suspicious guy. So, the dream has always been to have the benefits of tethering without the actual cord. We live in a wireless world now, so why can’t tethering be the same? In recent years, a number of companies have tried to address this issue to varying degrees of success. I’ve always been a bit wary of the dependability of these systems. If you practice photography in the way that I do, you’ll likely be all over the place, contorting your body into many unspeakable positions to get the shot, and soon find yourself tied up in your tether cord in much the same way. While it may seem like a hindrance at first, once you start tethering, it will soon seem unusual to shoot any other way. One thing you will never get used to, however, is the tendency to constantly find yourself entangled in your own tether cord while shooting. For those of you old enough to still have home phones, it’s somewhat akin to having a long phone conversation while walking around the room doing other things. By the end of the conversation, after a plethora of randomized twists and turns, you can easily find yourself tied up in a knot. This is less of a perk and more of an outright necessity when you are shooting for larger clients and with larger creative teams. It helps keep everyone on the same page and ensures that you are delivering the product that your client is requesting. For those of you not familiar with tethering, in short, it means that when I shoot, rather than capturing to my camera’s card, I instead am physically tethered to a computer system, and my files are sent immediately to a computer. That computer is running software, in my case, Capture One, which then receives the files and previews the images with your adjustments right there on the spot. ![]()
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